Celebrating the 50th anniversary of The Godfather, this authorized, annotated and illustrated edition of the complete, unedited screenplay, with a Foreword by Francis Ford Coppola, includes all the little-known facts, behind-the-scenes intrigue, and first-person reflections from cast and crew members on the making of this landmark film. From its ingenious cinematic innovations and memorable, oft-quoted script to its iconic cast, including Marlon Brando, Al Pacino, Robert Duvall, Diane Keaton, Talia Shire, and James Caan, The Godfather is considered by many to be the greatest movie ever made. And yet, the history of its making is so colorful, so chaotic, that one cannot help but marvel at the seemingly insurmountable odds it overcame to become a true cinematic masterpiece, and a film that continues to captivate its audience decades after its release. In this annotated and illustrated edition of the complete original screenplay, nearly every scene is examined and dissected, including: * Fascinating commentary on technical details about the filming and shooting locations * Tales from the set, including arguments, accidents, and anecdotes * Profiles of the actors and stories of how they were cast * Deleted scenes that never made the final cut, and the goofs and gaffes that did * And much more Interviews with former Paramount executives, cast and crew members, and and all-new foreword by Francis Ford Coppola, round out the commentary and shed new light on everything you thought you knew about this most influential film. With more than 300 photographs, this is a truly unique, collectable keepsake for every Godfather fan.

So convinced is Francis Ford Coppola that "live cinema" will become a powerful medium within the larger film industry that he has crafted this instructional book, filled with lively anecdotes and invaluable lessons-a boon for cinema addicts, film students and teachers alike. As digital film-making can now be performed by one director or by a collaborative team working across the Internet, it is a matter of time before cinema auteurs will create "live" films of the highest creative quality that will be sent instantly to be viewed in faraway theatres. Whether recounting his boyhood obsession with film, tracing the origins of "live cinema" through a history of early film and 1950s television or presenting state-of-the-art techniques on everything from rehearsals to equipment, Coppola demonstrates that the spontaneity of "live cinema" will transport film-making into a new era of creativity previously unimaginable.

A revealing account of the great Baseball Hall of Famer Joe DiMaggio from the man who knew him best in the last ten years of his life--"a rare, intimate portrait...that pries open Joltin' Joe's perpetually buttoned-up privacy" (The New York Times) with stories about the Yankees, Ted Williams, Lou Gehrig, Marilyn Monroe, Frank Sinatra, and other celebrities.In 1990, Dr. Rock Positano, a thirty-two-year-old foot and ankle specialist, met Joe DiMaggio. Despite the forty years between them, an unlikely friendship developed after the doctor successfully treated the baseball champ's heel spur injury. Joe mentored Rock but came to rely on his young friend to show him a good time in New York, the town that made him a legend. In time, the famously reserved DiMaggio opened up to Dr. Positano and talked about his joys, his disappointments, and his sorrows as he reflected on his extraordinary life. The stories and experiences he shared with Dr. Positano comprise an intimate portrait of one of the great stars of baseball and icon of the twentieth century. "Readers do not have to be baseball fans to be captivated by this memoir, which explores such universal themes as friendship, celebrity, aging, and mortality" (Library Journal, starred review). DiMaggio was a complicated figure--sometimes demanding, sometimes big-hearted, always impeccable, loyal, and a true stand-up guy. This memoir of a decade-long friendship reveals the very private DiMaggio as "a wholly human portrait of an American icon navigating his way through an adoring yet relentlessly demanding public" (Booklist, starred review), while serving up illuminating stories and rare insights about the people in his life, including his teammates, Muhammad Ali, Sandy Koufax, Woody Allen, and many more.

More than thirty years ago, a classic was born. A searing novel of the Mafia underworld, The Godfather introduced readers to the first family of American crime fiction, the Corleones, and the powerful legacy of tradition, blood, and honor that was passed on from father to son. With its themes of the seduction of power, the pitfalls of greed, and family allegiance, it resonated with millions of readers across the world—and became the definitive novel of the virile, violent subculture that remains steeped in intrigue, in controversy, and in our collective consciousness.

So convinced is Francis Ford Coppola that "live cinema" will become a powerful medium within the larger film industry that he has crafted this instructional book, filled with lively anecdotes and invaluable lessons-a boon for cinema addicts, film students and teachers alike. As digital film-making can now be performed by one director or by a collaborative team working across the Internet, it is a matter of time before cinema auteurs will create "live" films of the highest creative quality that will be sent instantly to be viewed in faraway theatres. Whether recounting his boyhood obsession with film, tracing the origins of "live cinema" through a history of early film and 1950s television or presenting state-of-the-art techniques on everything from rehearsals to equipment, Coppola demonstrates that the spontaneity of "live cinema" will transport film-making into a new era of creativity previously unimaginable.

A local biker-gang leader (Mickey Rourke), despite reforming his ways, is still the hero of local adolescents. His younger brother (Matt Dillon) idolises him, even though his mentor strives to persuade him that he has done nothing to be proud of. Shot in black and white (with occasional touches of colour), this is an atmospheric rites-of-passage tale with a musical score by Stewart Copeland and featuring many members of the so-called eighties 'Brat Pack'.

Mia Farrow and Robert Redford star in this romantic drama based on the novel by F. Scott Fitzgerald, adapted for the screen by Francis Ford Coppola and directed by Jack Clayton. Set in the decadent 1920s, the story follows Yale graduate and former soldier Nick Carraway (Sam Waterston) as he begins a new life in New York. While there, he becomes intrigued by the life of his neighbour, Jay Gatsby (Redford), a self-made, hedonistic millionaire, who rekindles his affair with the now unhappily married Daisy (Farrow). Becoming involved in Gatsby's social circle, Nick bears witness to their intense relationship which ultimately results in tragedy.

Joey Figueroa and Zak Knutson's documentary profile of screenwriter and director, John Milius. A contemporary of Francis Ford Coppola and George Lucas during the 1970s, Milius' fame as a screenwriter will forever be secured by the 'Do I Feel Lucky?' Clint Eastwood speech in Dirty Harry (1971) and the 'I Love the Smell of Napalm in the Morning' speech for Robert Duvall in 'Apocalypse Now' (1979). Famously out-of-sync with the liberal movers and shakers in Hollywood at the time, Milius' forthright political views and controversial support of right-of-centre groups like the National Rifle Association led to claims that he was 'blacklisted' by his peers. Figueroa and Knutson affectionately trace the film-maker's career with the help of contributions from friends and family and a host of Hollywood stars including Francis Ford Coppola, Harrison Ford, George Lucas, Arnold Schwarzenegger, Martin Scorsese and Oliver Stone.

Francis Ford Coppola directs this Oscar-winning crime drama starring Al Pacino and Robert De Niro. It is 1958 and Michael Corleone (Pacino) has now fully embraced the trappings of a Mafia boss, leading to conflict with his wife, Kay (Diane Keaton). As he attempts to expand his crime empire, he thinks of his late father Vito (De Niro)'s rise to power in New York during the 1920s, but all of Michael's attempts to emulate Vito and do the best for his family only pulls them further apart. Both a prequel and sequel to 'The Godfather' (1972), the film was nominated for eleven Oscars, winning five awards including Best Picture, Best Director and Best Supporting Actor (De Niro).